Working Notes of a Practising Neo-Generalist (#21) — An artful explanation of the complicated and the complex

“We are all subject to the passing of time, yet each of us feels and perceives it in our own way. Time itself has no shape or boundary and cannot be fixed or grasped. When we look at the photographs in these sculptures, we attempt to fill in the gaps between the individual images. We draw from our physical experiences to fill in missing time and space, both ephemeral and vague. In this series, I attempt to depict time and space as sensations shared by both viewer and artist.” — Layer Drawings by the Japanese artist and photographer Nobuhiro Nakanishi.

“If anyone can refute me — show me I’m making a mistake or looking at things from the wrong perspective — I’ll gladly change. It’s the truth I’m after, and the truth never harmed anyone. What harms us is to persist in self-deceit and ignorance.” — Marcus Aurelius in Meditations, Book 6:21 (Gregory Hays, The Modern Library, New York)

Today’s reality forces us to live in multiple worlds at the same time. One is characterized by ‘either/or’ thinking; the other by an ambiguous ‘both/and.’ The first traditional and familiar; the latter paradoxical and puzzling to most of us. But as so often, art can help us understand.

Putting Piet Mondrian’s ‘Composition with Large Red Plane, Yellow, Black, Gray, and Blue’ (1921) next to Jackson Pollock’s ‘Number 14: Gray’ (1948) creates an artful way to illustrate the profound differences between these two worlds; between complexity and complicatedness.

Composition with Large Red Plane, Yellow, Black, Gray, and Blue, by Piet Mondrian (1921).

Mondrian’s painting is rigidly structured, repetitive, linear. It is how most business leaders see the world: mechanical and linear. Now try to find a single straight line or a central focal point in Pollocks’ painting. You simply won’t. His reality is entangled, ambiguous, fluid. There is “no one answer that is right, but many answers that might work,” as Margaret J. Wheatley and Myron Kellner-Rogers write in A Simpler Way. It is also unmanageable, as Charles Handy explained at the 5th Global Peter Drucker Forum. There is one way to find out what works: explore and experiment.

Number 14: Gray, by Jackson Pollock (1948).

In this complex, nonlinear world, there can be no step-by-step rulebook, no linear model, no simple antidote to uncertainty. Ideologies, theory and planning break down in the face of unpredictability, leaving us instead with an urgent mandate and multiple methods to explore. And for this, we need a curiosity for the things on and beyond the edges of our knowledge.

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